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How/why did you become interested in Drum and Bass? DNA – A long-term slave to electronic music, the speed and heavy bass of DNB only consciously locked itself into my bones a couple of years ago. I am very fortunate to have met the right people at the right time in my life to get involved with what I am doing with KongkreteBass and our mates in Hong Kong now. What would you suggest are some of the main stereotypes that come to mind when thinking of Drum and Bass, and to what degree do you think they are true or false? A lot of people are unaware that Drum & Bass/ Jungle covers a huge spectrum of styles. It spans from liquid, jump-up, neurofunk, tech, Drum Funk, Dubby Drum & Bass to Reggae Jungle, even live, more organic & vocal sound, there’s some fantastic music out there that wants to be discovered. And I believe people here are slowly becoming more receptive. Many would suggest that the heyday in Drum and Bass took place several years back. Would you agree with this, and how does the scene stay current, relevant and moving forward? Tell us about Kongkretebass (how did it start and why) and your role within the group: We want to try concentrating more on the regional (Asia/Pacific) scene, bringing more of our neighboring DJs and Producers in to Hong Kong, as well as presenting the many different styles of Drum and Bass, which we appreciate and love. That’s also the idea behind the RADAR Series, which we launched earlier this year. The previous two RADAR events showcased Indonesian DJ/MC/Producer DMZ and DJ/Producer A.L.F. & the Foreign Dub Crew from Sydney, Australia. What are you hoping to achieve with Kongkretebass? DNA – I would love to think that together we can grow & inspire music lovers. My ultimate dream is to be able to host live drum & bass performances (Like NZ live dnb band ‘Shapeshifters’), but it’s going to be a lot of hard work until we can afford to host such acts. We also need to convince local venues to offer their full support for the sake of the music. Give our readers a brief understanding of the line up of the event you are promoting: As a producer, AMIT has a very distinctive style. His music is heavily influenced by lush Hindi sound scores of Naushad, haunting vocals of Muhammad Rafi, Mukesh & Egypts Om Khaltoum, to The Cure, Joy Division, Sonic Youth, Radiohead, African Bambaata, Source Direct, Photek and Goldie. We expect this to be as much a night of dance floor mayhem as well as a very interesting listening experience.” What marks this show apart as ‘special’? How can people go about getting tickets? Give us an idea of the state of Drum and Bass currently in Hong Kong? What about the rest of Asia? How should/can Drum and Bass fans stay in touch with what’s happening in the scene? Globally, through major forums such as ‘Drum and Bass Arena’, ‘Dogs On Acid’, ‘PlanetDNB’, Radio OneXtra (UK). Also Myspace, Facebook and AMP, which are more individual artist platforms. Tell us who you think are the Asian artists to look out for are in the Drum and Bass arena: What do you need to get started if you’re an aspiring producer/DJ wanting to get into this genre and create work? What advice would you give to musicians wanting to break in this field? What’s coming up next for Kongkretebass? Anything final you would like to add? |
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