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Hi there, please introduce yourself to our readers: We're all very excited to be able to see the group play in Asia - Tell us about this upcoming Tour and your thoughts/expectations: What are you looking forward to doing the most in Singapore? Has playing these shows in this part of the world been on the agenda for a long time? Why do you think many artists from the West tend to visit Japan more than the other countries in the region? What was the reason for playing a festival circuit as opposed to doing your own headline shows throughout the tour? What material will you be performing on this tour? A mix of the old and new? Mercury Rev has a rich history of special gigs and a reputation for magical live experience – Do you have anything special planned for your show in Singapore at the Esplinade? What can fans expect? Do you guys have any pre-show rituals or traditions you’d like to tell us about? Here in Asia, many artists are finally achieving their aim of breaking outside of their home countries. Originally signed in England, and releasing/touring albums in Europe before the States, how important do you feel it is to achieve a certain mark in your home city/country, or is geography of no importance? Do you know much about the Asian music scene? Any artists in particular you especially like from the region? Much press space has been given to the Mercury Rev “chaos” that seems to have characterized much of the public’s perception of you in the past. Can you pinpoint what has been the biggest struggle (or uphill battle) for you in your careers so far? ‘Deserter’s Songs’ is often described as your breakthrough album. Why do you think it was so successful, and what was the transition like suddenly being in a chart topping band that went from playing to hundreds to tens of thousands of people? Was there a conscious moment that you recall thinking to yourself “We’ve made it, we’re a successful band”? and what does success mean to you? Your sound has evolved greatly from your inception to present day. Further, with your comments on ‘The Secret Migration’ regarding it being written as a reaction to what you were dealing with at the time, can you guys let us in on Mercury Rev’s songwriting process? What’s the best advice you’ve been given in the music world, and who gave it to you?Years ago, Steven Drozd of The Flaming Lips told me that as a fellow drummer, I should: a) learn to play a second instrument I’ve lived by that ever since. What advice would you like to pass on to Asia’s aspiring musicians? Being soundtrack composers, how knowledgeable where you guys when you first entered the industry and signed your first deal? Were there harsh lessons learnt quickly? How would you suggest new bands equip themselves to deal with a volatile industry they may be entering for the first time? Tell us about your sponsorship of cyclist Jurgen Beneke. Seems an unusual pairing? How did it come about, and what are you looking to achieve out of the arrangement?Jurgen is a good friend of ours, and it was only recently that I learned of his cycling career. He’s very humble and never even mentioned it to us. He had retired a few years back, but recently decided to race again. We thought we could help him get to a few races and pay for a few new tires. Any other atypical sponsorship plans in the works? What’s next for you guys? Anything you can let us in on with regards new releases/directions? Thanks so much for your time, and we’re all looking forward to your shows in Asia!Thank you! It won’t be long now. |
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