Drip
Electronica / Drum 'n' Bass
Based in: Philippines

Formed : 2003
Members:
vocals: Beng Alcazaren y Calma keyboards & sound design: Malek Lopez beats & samples: Ian "Morse" Magbanua turntables: Caliph8
Label: Independent
Official Website:
dripmanila.multiply.com
AMP Address:
amp.channelv.com/drip



If you like Drip you may also want to check out these other AMP artists:
DJ Wash
Destroy All Monsters
Acid empire


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Videos (2)
Morning After by Drip
Listening (Live@Saguijo...
   
Latest News
AnyArena.com interview with Drip: Live Electronic Trio (Wed, 10 Jun.)
Monday 01 Jun, 2009

DRIP

Live Electronic Trio

This month Saigon has been treated to a smorgasbord of international musical talent. Wave after wave of fresh talent has been arriving on our doorstep, fingers crossed next month follows the same rhythmic footsteps, as we are now all addicted to this level of entertainment. DRIP was prime example of this aural pampering . They performed as the closing chapter of the “Month of Music” presented by the beats (casually wipe away tear, blame allergies).

 

Drip is one of the first female fronted electronic live music acts from in the Phillipines. The face of the group is lead vocalist Beng Calma-Alcazaren , backed by Arvin "Caliph8" Nogueras on turntables. Last but not least Ian "Morse" Magbanua, captain of beats and programming. 

 

Anyarena had a quick chat while they were in Saigon

 

Photo from dripmanila.multiply.com

 

How would you describe your sound?

 

Beng: The sound is predominantly electronic music with very strong drum n’ bass, rock and hip hop influences.
 

Ian: It is electronic music, where samples, loops, virtual instruments and beng's powerful vocals and lyricism come together to produce a unique sound born out of our influences.

Caliph8:  It's an amalgamation of electronic and organic sounds that manifests as a song based collaboration between artists coming from different backgrounds and tastes.

 

For those you don’t know about the success story of DRIP can you say a bit about how it all came about?

 

Beng: Well I wouldn’t say “success” at this point. Still a work in progress but briefly, drip came together bit by bit. Me and Rann, former guitarist, got in touch with malek who was very much adept in the electronic music scene. We later got a 4th member ian magbanua aka morse to do beats and loops and finally got caliph8 to fill in as turntablist. Rann and malek have left the band to pursue their own things and we are now gigging as a 3-piece act: me, morse and caliph8 respectively. As I said, work in progress.  

Caliph8 I believe we're quite successful as artists that convey creative output without any compromise and we get to reach different individuals that have different musical tastes.

 

How did you guys get together in the beginning, when each member comes from different musical background?


Beng: The music scene in manila is very small so we pretty much all knew each other; it wasn’t difficult hooking up.

Ian: Actually between (ex-synthman) Malek, Caliph 8 and I, it was much easier as we all listened to a broad spectrum of music and varied forms of electronic music.  Beng surprisingly mixed well within that mix despite her classic rock background. Melodically and lyrically I think she knew it would be a cinch.

Caliph8:
I guess Manila's alternative music scene is really small so different artists and enthusiasts pretty much know one another either by face or name.

 

You’ve changed members and instruments. Did they affect DRIP’s musical direction?

 

Beng:  No change in musical direction, still the same vision of writing music, creating new material, doing foreign gigs, and expanding to other fields that would require the type of sound we have. Perhaps the challenge we face as a band is tightening the sound, and constantly outdoing whatever accomplishments we have in the past.  

Ian: Direction wise, I wouldn't say that we've changed much despite the shuffle in the line-up.  We're actually still at that stage where we're about to make new music, so if anything, we're all looking forward to the positive possibilities the recent change will bring.
 

Caliph8:Drip's musical direction isn't just fixed to a certain output; it's ever changing being creative and being able to explore, i believe is the only thing that's there to stay.

 

Photo from dripmanila.multiply.com

 

When it comes to composing your music, is it a collective effort? Please tell us more about the processes involved?

 

Beng:  Songwriting in drip is a collaborative effort. Process is quite simple, we all lay down on the table what we can offer and if it works, we build on it, record, and put in the album.

 

Ian: Yes, it is very much a collective effort.  It usually starts with a basic foundation; a beat or a melody to set the tone. Then Beng just feels her way in and out of the music and starts to write and sing her stuff.  From there we make adjustments until we're all happy with the final arrangement

 

Caliph8: Yes, If someone thinks of a groove, melody or interesting riff/ sound, we build on that. Ian starts off to sequence, it thickens the idea, I put some overlays of different soundscapes, beat or scratches, then Beng lays over a vocal melody and starts to write her lyrics then we keep on building, arranging until we agree on the actual end result.

 

If you could collaborate with any artist who would it be?


Beng: I would personally want to collaborate with rikki lee jones or joni mitchell. 

Ian: Personally, I'd love to work with either of the following DJ Shadow, the Chemical Brothers, High Contrast, or Bernard Sumner from New Order.

Caliph8: There's lots: KRS-One, Dorothy Asby, Oskar Sala, Jose Gonzales, Jose Maceda

 

What are the best and worst things about your ‘job’?

 

Beng: the best would be performing, writing new material, and just hanging out with the boys in the band. Downside would be the waiting in gigs, for our turn to play. 

Ian: BEST THINGS:  Being surrounded by people who love the music that we love. 

WORST THINGS:  Getting caught with real life and not finding enough time to make more of the music we love. :

Caliph8:
The best thing is that you get to play and express yourself musically. The worst thing is carrying my heavy equipment.

 

Photo from dripmanila.multiply.com

 

What has been your favorite place to play so far?

Beng:
So far hogkong live last march. What energy that place had. Everyone was dancing up until the very last note of our last song.

Ian: So far the recent HK gig's been on my mind, but we're all really excited to be playing outside of Manila, and sharing our music with like minded heads.

 

Caliph8: Hong Kong was really dope!

What is on the cards for DRIP in the future?

Beng: More foreign gigs, collaborations with other artists, and a new album.

Caliph8: Exploring more musical excurssions, experimenting with our concepts and trying different methods in creating our sound. We hope to gig overseas more and maybe do collabs with other artists.

Mark: we as a team are working on spreading the word about Drip world wide through the spirit of collaboration and experimentation, with not just music but with different art forms as well, since we have made our songs open for collaboration through our Creative Commons license, we have given the signal to other artists to come up with ideas in their fields that will use Drip’s music for their Projects, like with Ballet Theater to choreograph into modern ballet pieces our songs for future staging in their scene, collaboration with animation artists… and ofcourse collaboration with other DJs and re-mixers alike…..

 

See more photos from this event


DRIP in HK-magazine.com (Sun, 8 Mar.)
From HK-magazine.com

Up Close - Drip
Hailing from the Philippines, Drip is a trip-hop band that specializes in experimental electronic fusion. Cyril Leung chats with female vocalist Beng Calma-Alcazaren ahead of the band’s HK Live! show.

HK Magazine: What brings you guys to HK Live?
BC:
We’ve always wanted to take our music out of the Philippines and bring it to a global audience; we were really encouraged by how well our performance in Kuala Lumpur was received last August. Then, our manager hooked us up with Claudio of Violent Jokes (also perfoming at HK Live!) through Myspace, who introduced us to the event.

HK: Are you ready for your Hong Kong debut?
BC:
I’ve just come back from taking five months off to have a baby, so HK Live! is a perfect opportunity for us to start performing and making music again.

HK: As a singer, do you prefer working on studio albums or
performing live?
BC:
Performing live is amazing because there is so much energy, and the enthusiasm of the crowd is everything to a singer. It heightens the pressure, the atmosphere, the adrenaline and the gratification. Everything is just louder!

HK: What are Drip’s plans for 2009?
BC:
We’re releasing our third album, which will be our first album in Spanish. We received a grant from the Spanish Embassy and Instituto Cervantes, and we’ve used the works of the famous Spanish writer Miguel Hernandez as lyrics. I was taught a little Spanish at school, but my friend who is fluent in Spanish was kind enough to coach me and go through the lyrics with me line-by-line. A grueling effort!

HK: Does Drip have a message it wants to share with its audience?
BC:
I guess I’m speaking on behalf of the other band members, but the message we want to share is that it’s important to work hard for your dreams. If you have a talent, put it to good use. We like creating and singing hope-filled songs, and we always look on the positive side.

Drip will be performing at HK Live on Mar 7. See listings, p.29.

DRIP at HK Live! TONIGHT! (Sat, 7 Mar.)
more news at HK Live! Press:

Drip
Trip-hop band, Drip, headline this special HK Live! show. They have an impressive track record, having won both Album of the Year from the QLE Awards 2008 in the Philippines and the JUNKSOUNDS 2008 Regional Music Awards for Best Electronic/Fusion act in the whole of South East Asia. The meta-glamorous act are set to deliver a seductive experimental mix that is sure to enthrall the crowd.

Violent Jokes

Violent Jokes is back on the HK Live! stage with intriguing lyrics along with live instrumental electric buzzes, glitches and distorted guitars. The trio has played numerous shows since forming a year ago, including a performance at Taiwan's famous Spring Scream Music Festival 08.

Sythetic (In)semination
Synthetic (In)semination, is an electronic rock band that formed in 2005. They play music for the fun of it and enjoy the unlimited possibilities in sound and music. The cutting-edge act are highly charged to deliver an eclectic fusion to fire you up.

Kongkretebass
Kongkretebass has sent shockwaves throughout the Asian Drum & Bass scene. Their weekly streamed podcast, Kongkast, has built itself as a reputation like no other in Asia, featuring mix sets by prolific producers, DJs and labels from across the globe. The Kongkretebass duo, DJ Wash and Electronic Mistress, open for the March HK Live! gig.

HK Live!

Saturday, March 7th, 2009. Show Starts: 10pm, doors open at 9pm.

Fringe Gallery and Economist Gallery, The Fringe Club, 2 Lower Albert Road, Central. Tickets: $100 available in advance from The Fringe Club and $150 on the door. For more information on HK Live, please call 2850-5065.

HK Live! is a series of band showcase nights organized by Hong Kong's leading city living magazine, HK Magazine. The shows feature the best emerging and established bands of the Hong Kong music scene and a cast of music personalities from around the world. 

Drip at HK Live1


DRIP has landed in HK! (Sat, 7 Mar.)
just got this from Claudio Canzanetta of Violent Jokes:

"hello,

Drip Manila arrived safely just in time for our Morning Brew show on RTHK yesterday morning. It was brief but memorable.
Pictures to be posted soon.

Please come and support tonight at Fringe.
Show starts at 10pm.
Kongkrete
bass will open with pure heavy DnB, followed by the hypnotic synth
lines of S.I.S., then us Violent Jokes and eventually the long-awaited
Drip as headliners.
Do not miss out.

Cla

http://www.facebook.com/ev..ent.php?eid=53042218745"
DRIP opens The Commons Crossroads, regional conference on Creative Commons (Thu, 5 Feb.)
The Commons Crossroads: Defining the Creative Commons roadmap for Asia and the Pacific

Mark Laccay and Paul Pajo presents a case study on Drip and the Creative Commons music license experience in the Philippines for the opening session chaired by Creative Commons Philippines for the Cultural Commons portion of the session. Other session presenters were Kritine Mandigma of Vibal Foundation presenting on Open Content and IRRI’s Gene Hettel and Atty. Idelfonso Jimenez on the Adopting and Utilizing Creative Commons to Facilitate the Dissemination of Rice Knowledge and Technology

Drip Share Reuse Remix
View all news
Comments (52)
sivachandran   ( 6 months ago )
Hi, We are pleased to invite you to send your nominations for the upcoming AVIMA 2009 indie music awards (Asia’s First Independent music awards) set to be held on March 21st 2009.(deadline for song submissions are on February 12th, 2009) The awards event is looking to honor the top independent talents from across Asia in 4 major genres hip-hop/rap, Pop(R&B/Jazz/Reggae), Dance/Electronica and Rock. The AVIMA 2009 is a unique awards event that may be held at a venue or if there are budgets or logistical shortages, will then be a global webcast show. The current venues being explored for the event to be held is Bangkok, Kuala Lumpur, Beijing or Singapore. The event is open to any act that is geographically located in Asia and so far we have had more than 150 songs sent in for nominations from countries like Indonesia, Singapore, Philippines, China, Hong Kong, Korea, India, the middle east and Taiwan. Do email us your songs to music@voize.my (music at voize dot my)to be nominated in mp3 format or any readable format. You may also point us to your download sites at myspace, amp,youtube or even your own website. AVIMA 2009 is organized by the Asian lifestyle and entertainment website Voize.my (www.voize. my). The company is based in Malaysia, and intends to champion the rights of independent bands all over Asia. We understand the plight and frustration of indie bands, and we wish to provide a platform for indie acts to showcase their true potential and how communities around the world are responding positively to fresh new sounds and genres. If united, together, we can build the biggest indie music community in the world and get the due respect we deserve. We also intend to assist indie acts to cross-over into Europe and USA with regards to promotion,digital media platforms, mobile media, marketing, PR and concerts. We hope to work with the media in each country to try and support the awards and provide create more awareness to the public. Please let us know who are the best radio stations, newspapers, TV stations, websites that we could write to, to help promote you and also the awards. Also let us know if there are any potential sponsors you feel that you may want us to contact from your respective country to be part of this event.We would be grateful if you could also get us the emails that we could write to. Please refer to the attached Appendix (or scroll below) for the full list of award categories and awards criteria/regulations that can be considered for submission. Here are the criteria and categories for AVIMA 2009: a) 75% of band members must be of asian origin or born in Asia. In some instances, if the founder of the band is Asian, and the other members are not Asian, but reside in an Asian country, they are eligible too.The only exception is for the best college act category, where an act of any nationality may submit as long as they are from an Asian college/university b) Songs submitted must have been released between December 1st 2007 and December 31st 2008. c) Indie acts may submit unreleased songs for the awards. Even “live” sessions, concert songs or demos are eligible. We understand sometimes indie acts may not be able to afford to get into good studios to record. d) Award winners are eligible to participate in the awards e) All indie acts must not be attached to any of the major labels – Sony BMG, Warner-EMI or Universal Music. However if your song is distributed by the 4 major labels but they dont own the rights to your songs, and your song in itself is independent, then you may be eligible. The concept of the Independent awards is to honor songs and EP's and not albums. f) Deadline to submit all songs will be on February 12th 2009. Voize.my is also the organizer of VIMA indie music awards, Malaysia’s First Indie Music awards show We look forward to having you nominated for this "KOOL" music awards. Do email me (editor@voize.my) should you need any clarification with regards to the awards.And check back often at www. voize.my for more details. Also, we would love to do any phone interviews, album reviews or host your video links on our site to give you more exposure in Asia. We want to help you and the independent music scene to grow. Cheers! (6 nominees in each main category and 3 awards to be given out- Gold, Silver and Bronze) : 1. Best Pop - Best Pop Song - Best Pop Act (Group, duo or individual) 2. Best Rock - Best Rock Song - Best Rock Act(Group, duo or individual) 3. Best Hip-Hop - Best Hip-Hop Song - Best Hip-Hop Act(Group, duo or individual) 4. Best Dance - Best Dance Song - Best Dance Act(Group, duo or individual) The Fun sub-categories are as follows 5. Best Remix 6. Best Collaboration (between 2 acts or more) 7. Best Instrumental 8. Best Genre Bender (more than 2 genres in a song e.g alternative-jazz,ambient-rock,dance-rap) 9. Best Song To Play At Camp Fire and To Do Away With Monday Morning Blues (for all songs acoustic, ambient, folk or mellow) 10. Best Dance Dj (Club) 11. Best College Act (any college or university act can apply-it doesn’t matter what nationality) 12. Best Guitar "Goreng" Riff (best guitar riff) 13. Best Act In the Whole Universe (International Act) 14. Best Album/Single Cover Art 15. Best Freaking Act Of The Year (voted by the nominees on who they feel is their their favourite indie act in Asia) 17. Most Mind Blowing Music Video Cheers..and Be [i]ndependent! Siva Chandran Managing Editor, Voize.my (editor@voize.my)) Founder of VIMA 2008/AVIMA 2009
KONGKRETEBASS   ( 8 months ago )
Hello from Hong Kong!
Violent Jokes   ( 9 months ago )
aaaaaaaah... we have got to take you to hongkie, come on!!... how is the pregnancy going??
ISPAKESTOK   ( 10 months ago )
yup... available b sa singapore albums nyo. di ko n kc makta d2 saten... :c hehe, f1
ISPAKESTOK   ( 10 months ago )
Beng Calma has a very distinct voice which is only hers. Beng is Beng. Lou is lou and Beth is Beth. DRIP is DRIP!!! ASZZZTEEEEG!!! I love you Drip! sana pumunta din kayo sa Legazpi City.
Leave a comment   View all 52 comments
Q&A
How is your new album (targe release, Sept. 2007) going to be different from your last one?
BENG: This is a more confident merging of sounds based on each member's musical background. If before it was somehow feeling each other, this time it's more sure and solidly grounded
Does your new album already have a name?
BENG: None yet, but we're open to suggestion from the fans! (leave a PM at dripmanila.multiply.com or www.myspace.com/dripmanila)
How would you describe some of the songs on your new album, IDENTITY THEFT?
BENG: fallen: a hard-pumping sound that subtly creeps in your system. it is about claiming victory even before the fight has begun. kindergarten romance: is somewhat romantic and innocent. it talks of love in the purest sense, willing to endure pain and mistakes for the beloved. run to follow: is a woman's desperate search for her man who has lost all interest in favor of another woman. in between remix: is a laid back sound that you can listen to as you lounge around and think of nonchalant thoughts
www.pulse.ph: For those who are unaware or may have only heard about the group, can you describe your music?
Ian Morse: We just really call it electronic music. Electronic music in itself is an umbrella term; sobrang daming pinaghugutan nun. Under electronic music, there’s house, techno, etc. All our songs, kapag hinimay-himay mo, maririnig mo yung little bits and pieces of influences from other genres. It’s electronic music - yung production namin, how we play it. During our gigs, (may) dalawang laptop, turntables, yung vocalist, and synthesizer. We don’t call it strictly rock or hip-hop. Although hip-hop also shares that medium. Caliph8: Pero yung tunog kasi namin, hindi lang hip-hop eh - it’s a dash of hip-hop with something else na nagsama-sama, so parang yung electronic ang pinaka-term for being eclectic, for being diverse.
www.pulse.ph: How was the reaction of your audiences been so far?
Ian Morse: I think okay naman. It’s commercially viable but it’s not that accepted by the mainstream (yet). But for us it’s okay na rin. Kasi parang we enjoy na rin na walang pressure mag-perform araw-araw sa paiba-ibang venue.
www.pulse.ph : So is it safe to say that your band is unique in more ways than one?
Ian Morse: Unique for now; siguro for the mean time. Although we champion the electronic music and we’re one of the people at the forefront of it (the electronic music), it’ll only be unique for the mean time because it’s gonna catch up din. There are other bands that are doing the same. That’s good for the music. Baby pa kasi – (still) at its infancy stage. Believe it or not, it’s been here since early 90’s. Underground lang talaga. Kami lang ang medyo sumilip above the carpet eh.
www.pulse.ph: And it’s fine with you not to go mainstream?
Caliph8: I think we’re doing this naman, not for money or fame. Gusto lang talaga namin yung ginagawa namin. Pero at the same time, we have a manager who helps us in our exposure. But we’re not stuck to the idea that we have to market (the band or the music to everyone). We don’t have to go out of our way just to be famous or to be in the mainstream. If it will come, then it will come. But as of now, nag-eenjoy lang kami. Ian Morse: We actually have the idea that we don’t have to push it (our music) to the people. Personally, I like it when we play in places like saGuijo because there, we get exposed to people who may not understand what we’re doing but are there because they know they will get something different (from us) and they end up appreciating it. Mas okay sa akin yung process na yun eh kasi at least, kung hindi niyo kami kilala at nagustuhan mo (yung narinig mo), alam kong gusto mo talaga at di kita/ka namin pinilit.
www.pulse.ph : Any long term goals for the group?
Ian Morse: Honestly hindi kami conscious (about the goals). Caliph8: Mas concerned kami dun sa longevity nung ginagawa namin. Parang di kami concerned like, “Ah dapat next year meron na tayong tour,” or “Dapat malaki na tayo.” It’s not our thing. (Ang iniisip namin), for the next 20 years, yung makitang ganun pa rin kami ka-passionate sa ginagawa namin; gawa lang kami nang gawa and be creative with it.
www.pulse.ph: Now let’s get to the album. Can you tell us more about Identity Theft? How is it compared to your debut CD?
Ian Morse: Totally different from what we hear on the radio now. And Identity Theft is our first real output as the four of us, and I think lalabas at lalabas yun pag pinagtabi mo yung dalawang album; ang laki ng difference. Even for us as a band, rinig na rinig naming lahat (yung pagkakaiba) because Identity Theft was completed with all our efforts and ideas put together. People who listen to our music can expect a more matured and tighter sound. There are 12 tracks in the album, all originals, and were written by Beng, while the music of each song was a collaboration of everyone.
www.pulse.ph: Any controlling theme or general feel?
Ian Morse: Wala naman. We have diverse tracks here in the album.
www.pulse.ph: Who did you work with on this album?
Caliph8: Armi Millare of UpDharmadown did additional vocals for one track entitled Bloodletting. Junji Lerma of Radioactive Sago Project and Wahijuara did guitars for the song Faultless. Sach Castillo of Sound did guitars, too, for the single Morning After.
www.pulse.ph: Could you give us a description or an idea about the songs in the album?
Ian Morse & Caliph8: 1) Fallen. This is the first song in the album. Mabigat ang bagsak nito. Medyo angst-filled siya. 2) In Between (Remix). This is an original song, and it’s actually part of our first album. After naming i-promote yun, gumawa kami ng alternate versions. Since parang naging bagong kanta na siya and it garnered a life of its own, we decided to include it in our new release. 3) Morning After. It’s the carrier single, and isa sa mga ginawan namin ng music video. Although it’s a drum-and-bass track, light yung melody and pace of the song. It’s a love song, but if you go deeper into the lyrics, somewhere in it (malalaman mong) may ipinaglalaban siya. That’s why yung interpretation din ng music video, may Taekwondo team dun. 4) Bloodletting. This is where we guested Armi. Kapag (pine-perform namin ng live), Beng jokes na emo daw ‘to. Very emotional kasi talaga yung dating ng kanta. I would say na it’s one of the songs that really stands out in the album kasi yung landscape niya, iba talaga. 5) Kindergarden Romance. It has an old-school, hip-hop feel to it – groovy and sensual, too. 6) Run To Follow. It’s quite dark, but melody-wise, there’s hope in it. Umaangat yung kanta when the chorus comes in. 7) Swanker. This is the first song that we wrote after the first album. Ito ang most played sa gig circuit. Medyo mabigat din, since it’s on the rock side. 8) Faultless. A trip-hop song, with guitar work from Junji. 9) Blind. Medyo contrasting ‘to kasi steady lang yung verse, pero pagdating nung chorus, sobrang bigat. It maintains a particular groove, though, na medyo hip-hop. As with most of our songs in the album, it’s either pang-head nod siya or drum and bass. Pag lumalabas yung influences namin nina Caliph na hip-hop and trip-hop, pang-head nod lang siya. 10) Listening. This is actually Caliph8’s least favorite song. Ang tawag namin dyan pag naggi-gig kami, “Kape.” Para raw kasing gusto niya munang mag-kape pag tutugtugin namin eh. 11) Identity Theft. This is one of my personal favorites. Here in the second album, dito ako naging conscious about putting out drum-and-bass songs. 12) Turning Grey. It’s an original song primarily made for World Wildlife Fund’s compilation album. Dun siya unang lumabas, pero here, we kinda tweaked it, tapos in-adjust namin. This track is also reminiscent of the group Cinematic Orchestra. Sila yung inspiration for the music of the song.
Up Close by HK-magazine.com - Drip Hailing from the Philippines, Drip is a trip-hop band that specializes in experimental electronic fusion. Cyril Leung chats with female vocalist Beng Calma-Alcazaren ahead of the band’s HK Live! show. HK Magazine: What brings you guys to HK Live?
Beng: We’ve always wanted to take our music out of the Philippines and bring it to a global audience; we were really encouraged by how well our performance in Kuala Lumpur was received last August. Then, our manager hooked us up with Claudio of Violent Jokes (also perfoming at HK Live!) through Myspace, who introduced us to the event.
HK-magazine.com: Are you ready for your Hong Kong debut?
Beng: I’ve just come back from taking five months off to have a baby, so HK Live! is a perfect opportunity for us to start performing and making music again.
HK-magazine.com: As a singer, do you prefer working on studio albums or performing live?
Beng: Performing live is amazing because there is so much energy, and the enthusiasm of the crowd is everything to a singer. It heightens the pressure, the atmosphere, the adrenaline and the gratification. Everything is just louder!
HK-magazine.com: What are Drip’s plans for 2009?
Beng: We’re releasing our third album, which will be our first album in Spanish. We received a grant from the Spanish Embassy and Instituto Cervantes, and we’ve used the works of the famous Spanish writer Miguel Hernandez as lyrics. I was taught a little Spanish at school, but my friend who is fluent in Spanish was kind enough to coach me and go through the lyrics with me line-by-line. A grueling effort!
HK-magazine.com: Does Drip have a message it wants to share with its audience?
BC: I guess I’m speaking on behalf of the other band members, but the message we want to share is that it’s important to work hard for your dreams. If you have a talent, put it to good use. We like creating and singing hope-filled songs, and we always look on the positive side.
DRIP: Live Electronic Trio interview by AnyArena.com: How would you describe your sound?
Beng: The sound is predominantly electronic music with very strong drum n’ bass, rock and hip hop influences. Ian: It is electronic music, where samples, loops, virtual instruments and beng's powerful vocals and lyricism come together to produce a unique sound born out of our influences. Caliph8: It's an amalgamation of electronic and organic sounds that manifests as a song based collaboration between artists coming from different backgrounds and tastes. original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: For those you don’t know about the success story of DRIP can you say a bit about how it all came about?
Beng: Well I wouldn’t say “success” at this point. Still a work in progress but briefly, drip came together bit by bit. Me and Rann, former guitarist, got in touch with malek who was very much adept in the electronic music scene. We later got a 4th member ian magbanua aka morse to do beats and loops and finally got caliph8 to fill in as turntablist. Rann and malek have left the band to pursue their own things and we are now gigging as a 3-piece act: me, morse and caliph8 respectively. As I said, work in progress. Caliph8 I believe we're quite successful as artists that convey creative output without any compromise and we get to reach different individuals that have different musical tastes. original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: How did you guys get together in the beginning, when each member comes from different musical background?
Beng: The music scene in manila is very small so we pretty much all knew each other; it wasn’t difficult hooking up. Ian: Actually between (ex-synthman) Malek, Caliph 8 and I, it was much easier as we all listened to a broad spectrum of music and varied forms of electronic music. Beng surprisingly mixed well within that mix despite her classic rock background. Melodically and lyrically I think she knew it would be a cinch. Caliph8: I guess Manila's alternative music scene is really small so different artists and enthusiasts pretty much know one another either by face or name. original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: You’ve changed members and instruments. Did they affect DRIP’s musical direction?
Beng: No change in musical direction, still the same vision of writing music, creating new material, doing foreign gigs, and expanding to other fields that would require the type of sound we have. Perhaps the challenge we face as a band is tightening the sound, and constantly outdoing whatever accomplishments we have in the past. Ian: Direction wise, I wouldn't say that we've changed much despite the shuffle in the line-up. We're actually still at that stage where we're about to make new music, so if anything, we're all looking forward to the positive possibilities the recent change will bring. Caliph8:Drip's musical direction isn't just fixed to a certain output; it's ever changing being creative and being able to explore, i believe is the only thing that's there to stay. original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: When it comes to composing your music, is it a collective effort? Please tell us more about the processes involved?
Beng: Songwriting in drip is a collaborative effort. Process is quite simple, we all lay down on the table what we can offer and if it works, we build on it, record, and put in the album. Ian: Yes, it is very much a collective effort. It usually starts with a basic foundation; a beat or a melody to set the tone. Then Beng just feels her way in and out of the music and starts to write and sing her stuff. From there we make adjustments until we're all happy with the final arrangement Caliph8: Yes, If someone thinks of a groove, melody or interesting riff/ sound, we build on that. Ian starts off to sequence, it thickens the idea, I put some overlays of different soundscapes, beat or scratches, then Beng lays over a vocal melody and starts to write her lyrics then we keep on building, arranging until we agree on the actual end result. original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: If you could collaborate with any artist who would it be?
Beng: I would personally want to collaborate with rikki lee jones or joni mitchell. Ian: Personally, I'd love to work with either of the following DJ Shadow, the Chemical Brothers, High Contrast, or Bernard Sumner from New Order. Caliph8: There's lots: KRS-One, Dorothy Asby, Oskar Sala, Jose Gonzales, Jose Maceda original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: What are the best and worst things about your ‘job’?
Beng: the best would be performing, writing new material, and just hanging out with the boys in the band. Downside would be the waiting in gigs, for our turn to play. Ian: BEST THINGS: Being surrounded by people who love the music that we love. WORST THINGS: Getting caught with real life and not finding enough time to make more of the music we love. : Caliph8: The best thing is that you get to play and express yourself musically. The worst thing is carrying my heavy equipment. original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: What has been your favorite place to play so far?
Beng: So far hogkong live last march. What energy that place had. Everyone was dancing up until the very last note of our last song. Ian: So far the recent HK gig's been on my mind, but we're all really excited to be playing outside of Manila, and sharing our music with like minded heads. Caliph8: Hong Kong was really dope! original interview at: http://anyarena.com/magazine/view/drip
AnyArena.com: What is on the cards for DRIP in the future?
Beng: More foreign gigs, collaborations with other artists, and a new album. Caliph8: Exploring more musical excurssions, experimenting with our concepts and trying different methods in creating our sound. We hope to gig overseas more and maybe do collabs with other artists. Mark: we as a team are working on spreading the word about Drip world wide through the spirit of collaboration and experimentation, with not just music but with different art forms as well, since we have made our songs open for collaboration through our Creative Commons license, we have given the signal to other artists to come up with ideas in their fields that will use Drip’s music for their Projects, like with Ballet Theater to choreograph into modern ballet pieces our songs for future staging in their scene, collaboration with animation artists… and ofcourse collaboration with other DJs and re-mixers alike….. original interview at: http://anyarena.com/magazine/view/drip
Bio
It’s the classic trip hop set-up: two quiet guys in the background to tweak knobs and play instruments, with a hot female vocalist to enthrall the audience with her voice. But Drip goes beyond mere trip-hop band cliches: they are meta-glamorous, a little dark, and seductively experimental. “Capable of giving you simulated bliss,” wrote the Manila Times about the quartet. With an EP independently released in August of 2003 and constant live performances, Drip’s cult status grew with Manila’s musical cognoscenti. Drip’s full-length album called “Far Side of the World” is out now as Terno Recording’s third release. DRIP is: Beng Alcazaren y Calma on Vocals, Caliph8 on Turntables, MPC & FX and Ian "Morse" Magbanua on beats, samples & programming